Nahem Shoa (Drawing Year 2004) is part of a group exhibition at Jessica Carlisle Gallery titled 'Hard-Boiled Wonderland'. Private View Thursday 1 September, 6.30 - 8.30pm
JESSICA CARLISLE GALLERY 4 Mandeville Place, London W1U 2BF
Kirsty
Buchanan (Drawing Year 2013) is part of a group exhibition at Transition
Gallery, London.‘Isolation Chamber Vacation’,
curated by Sarah Cleaver, takes the concept of solitude as its starting point.
The show opens on 2 September and continues until 1 October.
All alumni
are invited to the Private View onThursday 1 September6-9pm. Visit the
gallery websitehere.
Kirsty will
also be part of a panel discussion taking place at the gallery on Sunday 4
September 2016, 3-6pm. Artists Kirsty Buchanan, Juno
Calypso and Hannah Ford and curator Sarah Kathryn Cleaver discuss the ways that
solitude influences their practice, aloneness as a feminist issue and their
references for the exhibition. The discussion will be followed by a screening
of Wim Wenders’ Paris, Texas. Tickets (free or donation) are availablehere.
Together with four other artists, Jasmine Pajdak (Drawing Year 2014) has work in an exhibition at the Safehouse in Peckham this weekend. Jasmine would like to invite all Alumni to the Private View which takes place tomorrow from 6 til 9pm. If you can’t make the opening night, the show will be open all day Saturday 4th and Sunday 5th. See the poster for the exhibition below. Address: Safehouse1, 139 Copeland Road, SE15 3SN
Anthony Banks, Alison Boult and Kathryn Maple have work in an exhibition hosted by Kristian Day. 'Sampler' opens on 25th August, 6-9pm. More info here.
Congratulations to Thomas
Treherne (Drawing Year 2015) and Sam Little (Drawing Year
2016) who have both been selected for this year’s Jerwood Drawing Prize.
Thomas’ drawing Man photographing Stars, previously
exhibited at Christie’s London in 2015, will be part of the exhibition, which
opens on 14 September. Past Alumni selected for the Jerwood Drawing
Prize include Carl Randall, whose work 'Notes from the Tokyo Underground' (pen
on paper) was exhibited in 2012.
Micheal Chance
(Drawing Year 2013) has a solo show coming up at Mercer Chance, in Hoxton.
Body Politic opens on
1 September at 7pm and continues until 19 September, open Sat, Sun, Mon
11am-6pm. More info here.
Kathryn Maple (Drawing
Year 2013) and Jessie Makinson (Drawing Year 2012) have drawings in an exhibition at Beers Gallery near Old St, London. 35 Works on Paper continues until 24 September 2016. See an extract from the press release below:
BEERS London is extremely proud to bring together a diverse selection of artists who have each contributed a piece or two of original work on paper for exhibit in 35 Works on Paper. The show features emerging, mid-career, and established artists from around the globe who each bring their unique perspective to an exhibition that celebrates art in what can often be its simplest, most instantaneous - and invariably profound - articulation. The included works cover a large breadth: including abstract, figurative, and even conceptual pieces, as well as proposed sketches, text-based work, painting, drawing, and even collage. All are unique works either created specifically for this exhibition or culled from the artist's own personal archive.
Preview: 5th August 2016, 6pm – 9pm / Open until: 29th August 2016 Penarth Pier Pavilion, Penarth, CF64 3AU
Artist talk: Saturday 20th August, 1.45pm, Free,
open to all. Drawing Workshop: Sunday 21st August, see website
for details Walk & Talk: Wednesday 24th August, 2pm, Free,
open to all. Book here
A
major exhibition of drawing, installation and sound from recent Royal Drawing
School Alumnus Geraint Evans: Edgeland. This is the first solo exhibition from
Evans since completing the postgraduate diploma at the prestigious school where
he now teaches as part of the Drawing Clubs Faculty. For Edgeland, Evans presents a focal installation,
comprising of sculpture and sound with a burnt out car as the central piece:
‘Monolith (horizontal)’. This semi-autobiographical, multi-sensory installation
delves into personal memories of childhood playing in a scrap of woodland that
backed his estate in west Cardiff. The work explores the notion of destruction
as a form of creation and considers what it takes to break the negative social
cycles of estate life. The nowhere bits of scrub-land that lies between where
our cities become more dilute and our countryside begins is where you will find
the Edgelands: spaces as transient, evocative and visceral as memory itself. Many of the drawings are largescale and site
specific, often done entirely from observation. These in situ sessions are
aided by listening to sound while working via headphones plugged into a
microphone, intensifying the sensory connection to the place. Evans’ work is
built around the central concern of the individual’s experience of genius loci,
in both the political and physical geography of place.